FS19

FS19 Final Reviews

Guests:

Paloma Gormley (London)

Ambra Fabi (Piovene Fabi, Milan)

Fabio Gramazio (Gramazio Kohler, Zürich & dfab)

Maruša Zorec (Arrea Architecture, Ljubljana)

Tuesday 28th 9:00 - 19:30 &

Wednesday 29th May 09:00 - 17:00

hil F.41 (studio space)

Department of Architecture

eth Zurich, Hoenggerberg

OMMX
Drawn From Experience

talk by Jon Lopez

Tuesday 14 May, 17:00h, hil F.41 (studio space)

Department of Architecture

eth Zurich, Hoenggerberg

Patrícia Barbas, Teatro Thalia

Tuesday 9th April, 10:00

hil F (Studio Space)

Department of Architecture

eth Zurich

Hoenggerberg

Teatro Thalia, Gonçalo Byrne Arquitectos and Barbes Lopes Arquitectos © 2008 DMF

The lecture explores a particular case of architectural method and practice which is argued to have been advanced in response to rising demands for industrialization of construction in conditions of relative economic and technological underdevelopment in 1960s Yugoslavia. In the current age of digital design and fabrication it may seem outdated to look back at changes in analog design methodology toward the industrialization of construction. Thus, rather than exploring the well-rehearsed narrative of a technology shift or its outcomes, I will focus on the shift in what I propose to call design intelligence. The multiple meanings of “intelligence” apply for design intelligence also: the capacity for understanding, the action or fact of mentally apprehending knowledge of something, information, the mutual conveyance of information, the obtaining of information and the like. Critical for both analog and digital design and fabrication – that is, for both high-end and scarcity driven low-technology construction – design intelligence becomes increasingly relevant for contemporary practices operating in the world polarized by uneven development of global capitalism.

Dr. Ljiljana Blagojević is an architect and theoretician of architecture, currently engaged as the Design Manager at Deka Inženjering in Belgrade. After ten years of practice in Serbia and the United Kingdom, she taught architectural design and architecture history and theory at the University of Belgrade and as visiting associate professor at Yale University School of Architecture, University of Donja Gorica in Podgorica and University of Novi Sad. She gave lectures by invitation at the Harvard University GSD, Parsons / The New School, the Yale University School of Architecture, the Adam Mickiewicz University, the Academy of Fine Arts Vienna, the University of Zagreb Faculty of Architecture and elsewhere. She authored four scholarly monographs, Modern House in Belgrade, 1920-1941 (Belgrade, 2000), Modernism in Serbia: The Elusive Margins of Belgrade Architecture, 1919-1941 (Cambridge MA, 2003), Novi Beograd: Contested Modernism (Belgrade, 2007), Itineraries: Modern and Mediterranean. Tracing the Steps of Architects Nikola Dobrović and Milan Zloković (Belgrade, 2015), and co-authored the monograph Dobrović in Dubrovnik: A Venture in Modern Architecture (Berlin, 2015) with Krunoslav Ivanišin and Wolfgang Thaler. Her articles, essays, critical reviews have been published in The Journal of Architecture, Architecture Research Quarterly, Architectural History, Prostor, Architektura & Urbanizmus and other scholarly journals. Dr. Ljiljana Blagojević is the recipient of the regional award ‘Ranko Radović Prize’ and of the Grand Prix of the Salon of Architecture in Belgrade.

Dr. Ljiljana Blagojević, architect

Wednesday 13 March, 08:15

hil e1

Departement of Architecture

eth Zürich

Hoenggerberg

Was kann ein Entwerfer von Bauforschung und Konstruktionsgeschichte lernen?

What can designers learn from Construction History?

A talk by the Institut für Bauforschung und Denkmalpflege

Wednesday 6th March, 17:00

hil F (Studio Space)

Department of Architecture

eth Zurich

Hoenggerberg

Verona Arena. Stefan M. Holzer, 2015

Photo Daniel Ganz, Chandigarh, 2018

Wednesday 6 March, 10:00

hil F.41 (studio space)
Department of Architecture
eth Zurich
Hoenggerberg

Tuesday 5th March, 10:00

hil F (Studio Space)

Departement of Architecture

eth Zürich

Hoenggerberg

Photo: Christo and Jeanne-Claude Wrapped Monument to Vittorio Emanuele II, Piazza del Duomo, Milan, Italy, 1970 Photo: Shunk-Kender © 1970 Christo

Tuesday 5th March, 18:30

hil F (Studio Space)

Departement of Architecture

eth Zürich

Hoenggerberg

Image: Fosbury architecture

Tuesday 26th February we have the pleasure to welcome, in collaboration with Prof. Maarten Delbeke, Carlos Bayod Lucini from Factum Arte, a multidisciplinary studio based in Madrid and Milan dedicated to the digital mediation in art and preservation.

Carlos has worked on a wide range of projects involving the development of 3D scanning technology for the documentation of historic sites, including the first high resolution digitization of the Tomb of Seti I (Luxor, Egypt), as well as art documentation projects in the National Gallery (London), Museo del Prado (Madrid), Museé du Louvre (Paris) and National Gallery of Art (Washington DC). He has developed exhibitions such as the facsimile of the Tomb of Tutankhamun (Luxor, Egypt, 2014), Penelope’s Labour: Weaving Words and Images (Venice, 2012), Arachne’s Return (Zurich, 2012) or the facsimile of the Sala Bologna (Bologna, 2011).

Tuesday 26th February, 18:30

hil F (Studio Space)

Department of Architecture

eth Zurich

Hoenggerberg